Inside the Shoebury 'sex ring' investigation

A little over a month ago, Essex Police made an announcement which prompted a news firestorm. Chief Constable Stephen Kavanagh and Police Commissioner Nick Alston issued a joint statement announcing a formal review of the force's investigations into alleged child abuse in the late 1980s and early 1990s. The review was launched after three whistleblowers met with senior police officers and detailed a catalogue of alleged failures by Essex Police and other local bodies.

The story immediately went national, picked up by outlets including the MailOnline, ITV and BBC, which also ran a 12-minute news package on its Essex radio station. But, as the BBC acknowledged, the review had been prompted by a year-long investigation by another media outlet - regional newspaper the Yellow Advertiser. The paper's work made headlines in the trade press, covered by HoldTheFrontPage and Press Gazette, which later ran a second piece on the 'mighty' Yellow Advertiser's 'dogged investigative journalism'. Mr Alston thanked the Yellow Advertiser for its key role in prompting the review. I was the reporter behind that Yellow Advertiser investigation and am continuing to run it weeks after the wider media seems to have forgotten about the whole affair.

In late 2014, I was browsing Essex Council's Freedom of Information webpage, where it publishes information in response to requests from the press and public. The database of recent releases is often overwhelmed by residents demanding details of pothole repairs and the council's part-night lighting scheme, but occasionally you stumble across a gem, such as that the council spent £30,000 trying to recover £50,000 in expenses which turned out to have been legitimately claimed, or that a child was paid £15,000 compensation after a school worker threw a DVD at their head, or that teachers who had sexual abuse complaints upheld against them were never reported to police.

In late 2014 I opened up what looked to be a fairly mundane spreadsheet - a member of the public had requested the release of some data from County Hall's accounts. What I found set in motion a chain of events which culminated in last month's announcement by Essex Police.

Sifting through a list of 600 compensation pay-outs, I came across one made for 'alleged abuse'. Then another one. Then another one. In total, I found 10 pay-outs in 2014 alone for abuse alleged to have occurred on Essex Council's watch in the 1970s and 1990s, nine of them relating to children's social care departments.

I immediately compiled a list of questions for Essex Council to answer in relation to each of the 10 cases. For each one, I requested details such as the gender of the complainant, their age at the time, whether they were in care, when the abuse had first been reported to County Hall, whether County Hall had alerted police, whether anybody had been charged and whether anybody had been convicted. The council's press office refused to answer the questions and forced me to submit them as a Freedom of Information request. On Christmas Eve 2014, I received an email from Essex Council's Freedom of Information department, saying it had refused to answer any of the questions because doing so could identify the victims - a plainly meritless claim.

To check I was on solid ground, I ran the dispute by child abuse charity NAPAC - the National Association for People Abused in Childhood - whose chief aim is to protect and embolden child abuse victims. Its founder Peter Saunders confirmed that as far as NAPAC was concerned, the information the Yellow Advertiser was asking for clearly did not present any threat to the anonymity of the complainants and, he continued, Essex Council's behaviour was 'tantamount to a cover-up'. NAPAC and the Taxpayers' Alliance joined our campaign to uncover the details, which we ran as our first news front of 2015.

That week, I spotted that since I had started asking questions about the 'alleged abuse' pay-outs in late 2014, a member of the public had filed a Freedom of Information request for some Essex Council accounts data which would have included those same 10 compensation claims. Wondering whether the council's response to that resident might contain further details, I downloaded the spreadsheet. I discovered it actually contained fewer details; there was no longer any mention of 'alleged abuse' anywhere in the compensation listings.

By matching up the figures, I could see the 'alleged abuse' pay-outs had been reclassified in the fresh release as 'personal injury' settlements, making them indistinguishable from people who had received money for cut fingers or back injuries. That became a second front page story.

Following our second report mentioning 'alleged abuse' at County Hall, a man walked into the Yellow Advertiser's office and asked to see me. His name was Robin Jamieson. Robin was a retired NHS manager - the former district psychologist for Southend - and he had some information on historic abuse in Essex that he thought I might be interested in.

Robin's information was of enormous public interest value but without corroboration there was little we could do with it. Essex Council's lack of transparency thus far made it highly unlikely, in my opinion, that it would cooperate unless circumstances dictated it had little choice.

We had to wait almost six months but in June those circumstances arose. Robin was invited to a 'whistleblowers event' in a committee room at the Houses of Parliament, organised by child abuse pressure group the WhiteFlowers Campaign. At the event, in front of an audience of MPs, barristers and campaigners, he gave a speech detailing a raft of alleged failures by police and Social Services to properly tackle child abuse in Essex in the 1980s and 1990s.

We sent a copy of Robin's speech to Essex Council's press office and alerted the authority that we would be running a story about it the following week. In actuality, this would have been near impossible without the qualified privilege that a response from County Hall would provide; if they had replied 'no comment', the story would have been effectively scuppered.

But our gamble paid off. The press office responded with a lengthy statement which admitted knowledge of 'some historical child abuse concerns in relation to individual members of staff employed by Essex County Council in the 1980s and early 1990s'. The revelation resulted in another front page story.

We forwarded the council's statement to Essex Police Commissioner Nick Alston and asked him whether he would ask officers to investigate. Describing the allegations as 'disturbing', he promised any alleged victims who contacted his force would be taken seriously. That became a further front page.

After securing this promise, the we continued working on the story behind the scenes. Acting as a go-between, we assisted in the early stages of arranging a meeting between Nick Alston and Robin Jamieson, then remained in touch with both parties as they began communicating directly. Mr Alston was so impressed by Robin's 'eminent credibility' at their meeting that he arranged a second, with the Chief Constable and a senior child abuse officer present. Two new whistleblowers, who had contacted Robin after the summer stories, were also invited. That meeting happened in early 2016, following which, a decision was made to launch a review.

By maintaining communication with Robin, Mr Alston's office and one of the two new whistleblowers - Rob West, a former charity worker turned probation officer - we learned that the focal point of the review would be an investigation into an alleged 'sex ring' which had targeted 'adolescent boys' in Shoebury in the late 1980s. Police had arrested two men - Dennis King and Brian Tanner - in 1989 and each had pleaded guilty and served jail time for child sex offences in 1990.

At their meeting in early 2016, Robin, Rob and the third whistleblower - former child abuse charity worker Jenny Grinstead - had told Mr Alston and Chief Constable Kavanagh that a number of boys who were known victims of King and Tanner had reported abuse by far more men.

Moreover, police had failed to interview a number of other boys who disclosed abuse by the ring to local charities, and even those who were interviewed had mostly not received any of the appropriate aftercare, such as counselling.

A number of the boys, with whom Rob had stayed in touch into their adulthoods, had since died of suicides and drug overdoses, while others were in prison or homeless. Many of the three whistleblowers' claims were supported by contemporaneous paperwork, including a report penned in 1990, which stated the 'active paedophile sex ring' may have had as many as 80 victims.

It took police several weeks to make arrangements with abuse helplines to field calls from anybody who came forward after the review was announced. With the helplines confirmed, the morning of March 8 was earmarked for the announcement. On March 7, deputy editor Steve Neale and I conducted an hour-long interview with Mr Alston. At just past midnight on March 8, we broke the story online. That week, we ran it across pages one, three, four and five of the paper.

The initial wider media interest has since dissipated but we continue to run weekly updates and revelations, including details of the 1990 report into the 'sex ring' and the original convictions, the emergence of a fourth whistleblower, tracked down by the Yellow Advertiser, and the fact that evidence and court records from the original prosecutions appear to be missing. We have plenty more ready to go and, with Essex Police's and our own investigations ongoing, this is a story which will run and run.

As for why we continue to pursue this issue when the wider interest has apparently fizzled out, this quote from Nick Alston probably sums it up quite well. During our March 7 interview, he told us: "Many of [the alleged victims] have gone on to have very troubled lives, and that, for me, is one of the great sadnesses in all of this - if there was a missed opportunity to provide safeguarding which might have helped. So there is an opportunity here to see whether any of those people are perhaps prepared to engage again, if not with police then a professional agency, to see whether there's anything, even at this stage, which can be done to help them."

Anybody with information can dial 101 and ask for the Essex Police Child Abuse Investigation Team.

Alternatively, call one of these specialist helplines:

NAPAC - 0808 801 0331.

SERICC (south and west Essex) - 01375 380609.

CARA (mid and north Essex) - 01206 769795.

SoSRC (Southend) - 01702 667590.

National Independent Inquiry into Child Sexual Abuse - 0808 800 5000.

Wilko Johnson Interview

Two years ago, rock legend Wilko Johnson had just been told he had 10 months to live. Doctors had diagnosed the Dr Feelgood guitarist with terminal pancreatic cancer. Refusing treatment, which would have scarcely extended his life, he announced a 'farewell tour' and embarked on one of the wildest years of his career, playing to enormous festival crowds and recording an album with The Who front man Roger Daltrey. Comprised of his own material, it was Wilko's biggest hit since his number one album Stupidity with Dr Feelgood in 1976. He never expected to live long enough to see it released.

(Click to enlarge.)

Wilko on stage in 2013. 

Picture by Charles Thomson.

But last week I enjoyed a frank and funny hour-long interview with Wilko, who is still very much alive. More than a year after receiving his bleak diagnosis, when experts started to wonder why he wasn't dead yet, he underwent further tests. On closer inspection, doctors told him his cancer had not been terminal after all - only now, after having left it untreated for over a year, it had grown into a three kilogram, football-sized tumour, which had spread to his spleen and part of his stomach. Last summer he underwent a pioneering, experimental operation. Amazingly, doctors removed every trace of cancer - albeit along with his pancreas, leaving him diabetic - and now Wilko is taking his first tentative steps back into the music industry.

Ahead of a comeback tour and a raft of summer festival dates, Wilko was friendly, candid and extremely funny - as he always is. It was not the first time I have interviewed him. In September 2013 I was the first journalist in the world to reveal he was working on a project with Roger Daltrey. At the time, he was expected to die within weeks.

(Click to enlarge.)

Wilko on stage in 2013.

Picture by Charles Thomson

During our conversation, we covered everything from how he writes songs to his nerves about returning to the stage after the longest absence of his adult life. We discussed his time in hospital, including how the mind-altering after-effects of the massive dose of anaesthetic needed for his 12-hour operation led him to stage a dangerous, if amusing, escape attempt when he woke up. Along the way we also discussed his charitable efforts for the hospital which saved his life, and why he isn't angry at the doctors who wrongly told him he was terminally ill.

Wilko also revealed that he is the subject of a new documentary, directed by Julien Temple, who has made music videos for Janet Jackson, Whitney Houston and Davie Bowie. Temple also directed Oil City Confidential, the hugely popular documentary about the origins of Dr Feelgood.

Oil City Confidential Trailer.

It was wonderful to find Wilko on such good form. The last time I spoke to him, 'knowing' - so we all thought - that he'd be dead by Christmas, was extremely sad, not least because he's such a friendly, funny and vibrant man. I look forward to catching one of his comeback concerts.

To listen to the extended interview, including all the bits that simply did not fit in the newspaper, click here. 

To read my interview feature with Wilko, click here. 

To read about the new documentary, click here. 

Awards Nominations

A short note to say I am extremely flattered and grateful to have been nominated for two Regional Media Awards.

I have been nominated for 'Print Journalist of the Year' on a weekly newspaper, and a road safety campaign I ran following the death of a young musician has been shortlisted for 'Community Campaign of the Year'.

Among the articles for which my 'Print Journalist' nomination was awarded were two investigative pieces and one campaigning piece about the above road death.

The first investigative piece was the revelation that hundreds of teachers accused of sexual abuse had never been reported to police by the education authority, despite dozens of them having the complaints upheld and receiving professional sanctions.

The second told how a Government Jobcentre had unwittingly signed up an escaped con, fleeing a life sentence for a brutal attack with an iron bar, and sent him to work for a local company. Despite using a known alias, his identity was only discovered when he threatened to murder his new boss over a pay dispute, at which his boss Googled his name and discovered him on a Crimestoppers 'Most Wanted' list. Jobcentre staff then refused to give police the dangerous criminal's address, claiming it was 'personal information'.

I will find out whether I have won at a ceremony in late February, although just to be nominated is very rewarding, as the shortlist is selected by a panel of experienced journalists.

Usher: The Heir, Apparently

On Thursday 3rd February I attended the second of Usher's sold out gigs at the O2 Arena, part of his OMG Tour. My review of the night has been published by SawfNews.com, including some of my own photos from the gig.

--Click here to read my review of Usher's OMG Tour, with exclusive pictures--

For my blog readers, here are a few extra shots:

Martha Reeves; Soul Survivor

Motown legend Martha Reeves is still playing sold out concerts to adoring fans almost 50 years after her first hit - but she hasn't had an easy ride. Speaking frankly about being dropped by Motown in 1972 and her subsequent battle with painkiller dependency, she tells Charles Thomson why she's 'stronger than dirt'.

--Click here to read my exclusive interview with Martha Reeves--

VIDEO - James Brown's Widow: 'Conrad Murray was NOT my husband's doctor'

In this clip from our exclusive interview, Tomi Rae Brown - widow of soul singer James Brown - emphatically denies press reports that her husband was a patient of Dr Conrad Murray and recommended his services to Michael Jackson.

She also discusses her husband's relationship with Michael Jackson and the disturbing similarities between the circumstances of their deaths.



To read my interview with Tomi Rae Brown, click here.

To receive updates when I upload new clips, subscribe to my YouTube channel.

Martha Reeves Interview - A Teaser

Last week I conducted an exclusive 90 minute interview with Motown legend Martha Reeves. The article won't be published until January 2011 but in the meantime, here's an exclusive clip.

In this clip Martha describes the thrill that comes from being a part of the Motown dynasty and also recalls the recording of one of Motown's greatest hits, Dancing In The Street. She even puts on her best Marvin Gaye impression and sings a few bars of his original rendition, which was scrapped and replaced with her version. The rest is history.

Apologies for the background noise - I interviewed Martha in the restaurant at her hotel. However, you can still hear her loud and clear.



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New Video: Kriyss Grant speaks about dealing with crazy Michael Jackson fans

Here's another excerpt from my interview with 'This Is It' dancer Kriyss Grant. In this clip he speaks about how he and his fellow dancers were subjected to abuse by some Michael Jackson fans in the wake of the star's death, and laughs about the sometimes crazy questions he receives from the King of Pop's followers.






In order to receive automatic updates whenever I upload more clips, subscribe to my YouTube channel.

The Interviewer becomes the Interviewee - Part Four

The latest instalment of my interview with author Lorette Luzajic has been uploaded.

In this segment, I discuss the demonisation of biographer Randy Taraborrelli, the methods of conspiracy theorists and the absurd claims that Deborah Ffrench and I are the same person.

Using examples, I reveal how conspiracy bloggers take small and inconsequential facts, then use them to 'prove' irrelevant, globe-spanning conspiracies. I also expose the enormous lie that conspiracy bloggers have been spreading about me for months, even though it can be completely disproven with one brief visit to my website.

Click here to read Part Four of my exclusive interview with Lorette Luzajic.

The Long Forgotten Q&A - Part One

All the way back in February I announced that I was going to hold a Q+A for my blog fans. I asked followers to email me questions and said I would answer the first ten I received. I set up a second email account for blog correspondence - then forgot about it. I only recently remembered and realised that I'd better start answering questions.

This blog is dedicated to one question, which prompted a lengthy answer. More will follow.



How do we non-journalists best go about starting a career as a freelance journalist?

Helen, UK


I think that first and foremost it is important to decide whether you want to be a journalist or a writer. Lots of people say to me that they love to write and therefore would love to work in journalism, but the truth is that journalism has very little to do with writing. You can be the best writer in the world but if I sit you behind a desk and ask you to produce a news story, your writing skills are going to be of little value to you. A journalist's job is to report - it's no use being a great writer if you have nothing to write about.

As a journalist you will typically spend 90% of your time investigating and 10% writing. The job of a journalist is to find stories, gather evidence, interview sources and then, once all that research is completed, write it all up.

Being a great writer will be of especially little value to you in news journalism, where there is little creative freedom. Stories are generally written to a strict set of guidelines, often referred to as the 'inverted pyramid' structure. There's more creativity in feature writing but the focus remains on research as opposed to prose.

So if you want to be a journalist, your passion has to be for investigation; for digging out new information, sifting through documents, tracking people down, testing the gatekeepers and asking tricky questions. A passion for writing is way down the list.

If it's journalism you're interested in, it's also worth thinking honestly about what your motivation is for breaking into the industry. If you think it is a glamorous profession, think again. Shows like Sex and the City portray the life of a journalist as an easy one. Carrie Bradshaw writes a slender column for a magazine on what seems to be a fairly infrequent basis and can somehow afford to live in a central New York apartment while splashing cash on high end designer outfits. To say that this is not an accurate representation of the industry would be a huge understatement.

That's not to say there aren't perks to the job. Journalism can afford you the opportunity to meet your heroes - my first real excursion into the world of 'celebrity journalism' was a brief chat with my own hero, James Brown. You can also wind up scoring seats at movie previews or lining the red carpet at showbiz events - but these things often aren't as glamorous as they seem.

Red carpet events such as film premieres can be deathly boring. You stand around for hours on end waiting for the stars to show up and when they do there's no certainty that you'll have any access to them. If you happen to be fronting the TV coverage for a primetime show, you're quite likely to get an interview. The dozens of print journalists squeezed into the press pen, however, are often less lucky.

The minor celebs - the reality contestants and C-list popstars - will hang around the press pit for ages because the TV crews don't want to speak to them. The stars of the film, however, will often breeze straight past the print reporters and simply have their assistants furnish the press with generic quotes about how they 'love this city' and 'thank the fans'.

It's not just celebrity events which seem less interesting when you experience them close-up - it's the celebrities themselves. That's not to say they're all dullards or bores - not at all. What I mean is that the more time you spend around celebrities, the more you realise that they really are just people. Rich people. Famous people. But people all the same and, as with all people, there are some you enjoy talking to and some that you don't. After a while you stop getting truly excited about the prospect of interviewing a celebrity, unless it's somebody you really admire.

As a general - but not universal - rule, the more famous somebody is, the less interesting they are in interview. That doesn't mean they're a less interesting person, it just means they have more to lose by speaking freely. They're guarded, surrounded by PR professionals who hover over your shoulder in an attempt to intimidate you into not asking any tricky questions, and who glare at you if you dare stray from the topic of whatever it is the celebrity is promoting at that moment in time.

Stars often speak in soundbites or just recite pre-rehearsed answers. If you've ever watched multiple news channels during the week of a film premiere, you'll know exactly what I'm talking about. You'll watch ITV News and see an actor and director giggling as they recount an annecdote, then tune into BBC Newsnight and watch them telling the exact same annecdote to a different reporter with equal 'spontenaity'.

That's not to say all celebrity journalism is vacuous. Of course it isn't. Some can afford you a real insight into the mind of an artist; the process of a genius musician or the struggles of an icon behind the glamorous Hollywood facade. Jonathan Lethem's article 'Being James Brown' is one of the greatest articles I've ever read on any subject, for instance. But most celebrity journalism, particularly in newspapers and celebrity magazines, consists largely of puff pieces, gossip and dodgy paparazzi photographs. Glamorous is probably one of the last words I'd use to describe it and there are legitimate questions to be raised about whether much of it is even journalism at all.

Journalism has a few core functions. One function is to reveal new information to the public. Another is to tell the truth. Another is to act as the fourth estate, testing government and the legal system in order to ensure that they're held to account. If you're serious about journalism, I think you need to have a real interest in justice. I think you have to be invested in seeing that wrongs are righted, that power isn't abused, that corruption is exposed, that mysteries are solved and that justice is served.

It can have other facets, like high end celebrity journalism as I described earlier, which affords the public genuine insight. Sports too, and arts and culture. But primarily, it's about truth and justice. If the thought of upholding both of those really gets your blood pumping, journalism is probably for you.

My first piece of advice would have to be to go and get trained somewhere. In the UK you can study for a journalism degree or you can study with the National Council for Training Journalists (NCTJ). The former will equip you with far more knowledge and experience, but the latter requires a sixth of the time and, inexplicably, is more readily accepted in the industry.

Once you're qualified it will still be difficult to find work, especially since the recession, during which many newspapers were firing reporters and slashing freelance budgets. There are steps you can take that will make it easier to find work once you're trained.

During my journalism degree I had to complete work experience at local newspapers and was encouraged to contribute to local newspapers for free in my spare time as well as writing for our in-house student magazine.

In my second year I started writing articles for free and sending them to a US music journal, who were glad of the free copy. After two articles, they started paying me for my contributions. Writing articles for free is valuable in that it gains you first hand experience, it helps you to build up a portfolio of published work and it allows you to make contacts and build relationships in the industry.

By my third year at university - with my experience, my portfolio of published work and my network of contacts - I was contributing to newspapers and magazines on a national and international basis and usually being paid for my work.

My last piece of advice will sound quite contradictory: Carve yourself a niche, but don't limit yourself. I carved myself a niche as a black music writer. The more I published on the subject, the more people came to me for work in that area. But at the same time, there's no point in limiting yourself to that niche because it will reduce your income. Although I specialise in black music, over the years I've taken on financial journalism, property journalism, autosports journalism and various other topics. In a job as unreliable as freelance journalism, you can't really afford to pass on work unless you're only doing it as a hobby.

So that is my advice to anybody planning to become a freelance journalist. Make sure journalism is for you, get yourself trained, be willing to write for free in the beginning, make sure you build a network of contacts and try to carve yourself a niche as some sort of specialist.

Finally, read and write as much as you can. While literacy is not the most important part of a journalist's job, it obviously helps. Read everything you can from tabloids to broadsheets to celebrity magazines, obscure fanzines and specialist journals - so you can familiarise yourself with different journalistic writing styles. And write all the time, even if it's not being published. Practice makes perfect.

New Video: Kriyss Grant speaks about his concerns over 'This Is It'

In this latest excerpt from my interview with Kriyss Grant, the 'This Is It' dancer explains comments he made in an interview about organisers 'taking advantage' of Michael Jackson and elaborates on his early concerns over the comeback concerts.





The full article is available here on my website. To receive YouTube updates every time I upload a new video, subscribe to my YouTube channel.

The Interviewer becomes the Interviewee - Part Three

Part Three of my in-depth interview with Lorette Luzajic has gone online. In this segment I discuss the bizarre series of events which led conspiracy theorists to accuse me of being involved in Michael Jackson's 'murder'.

Click here to read Part Three of this exclusive serialised interview.

In upcoming segments I will put some of these conspiracy theorists' claims under the microscope, showing how they continue to repeat lies even after they've been proven false and how they take small, innocuous pieces of factual information, then use them to 'prove' grandiose conspiracies.

I will also discuss the demonisation of Randy Taraborrelli, baseless claims that I have an alter-ego called Deborah Ffrench, why air-brushing over Jackson's mistakes actually removes culpability from those who drove him to an early grave and how in-fighting and power politics in Jackson's fan community are tarnishing his legacy.

The Interviewer becomes the Interviewee: Part Two

Author Lorette Luzajic today uploaded Part Two of our brand new interview. In this part she asks me about my role in the release of Michael Jackson's FBI files and what we learned from their contents, as well as asking me about the strange similarities between Jackson's obsessive fans and his obsessive detractors.

Click here to read Part Two of our brand new interview.

In the coming days the interview will continue to be serialised, a few questions at a time. In upcoming segments I will talk about the overzealous fanatics who think they are improving Jackson's legacy but are actually staining it, and the methods employed by conspiracy theorists who are taking advantage of Jackson's vulnerable fans.

In other news, I have uploaded another clip from my interview with 'This Is It' dancer Kriyss Grant. To receive YouTube alerts each time I upload a new video, subscribe to my YouTube channel.

The Interviewer becomes the Interviewee

I was recently interviewed at length by author Lorette Luzajic about my work on Michael Jackson and my strange experiences with his fans.

During the interview I spoke about how and why I became instrumental in the release of Michael Jackson's FBI files, the peculiar similarities between Jackson's supporters and his detractors and the farcical series of events which led conspiracy theorists to accuse me of assisting in Michael Jackson's murder.

The interview was long and detailed so will be serialised on Lorette's blog over the coming days, a few questions at a time. I will update my blog and my twitter page each time another part of the interview is uploaded.

Click here to read Part One of my brand new interview with Lorette Luzajic.

Earlier this year Lorette interviewed me about my growing fame as a Michael Jackson expert and my take on the allegations made against the star. Click here to read part one of our prior interview, and click here to read part two.

Radio Interview Now Online

The bulk of my KPFA radio interview with Jane Heaven is now available to stream online.

CLICK HERE to listen.

I come in at 2hrs 06mins. The interview cuts off abruptly as we went over time but I may be able to upload my own MP3 version at a later date.

FreelanceUK Spotlight Interview + Your Chance to Ask Me A Question

I've been chosen as the subject of this month's FreelanceUK Spotlight Feature.

The monthly interview focuses on the peaks and pitfalls of life as a freelancer, offering advice and annecdotes from self-employed professionals in various industries.

This month I have been selected to speak about my experiences as a freelance writer. During my interview I discussed my work on James Brown and Michael Jackson, offered tips on how to earn money as a writer and recalled how I had been ripped off early in my career - plus more.

To read the interview, click here. Comments can be left on this page.

Given the volume of emails I have been receiving from supporters in recent months, I have decided to take some questions from my readers. They can be about anything to do with my work - how to get into writing, how to get published - or my specialist subjects such as Michael Jackson, James Brown and so on.

I have set up a dedicated email address for this Q+A and any others I might do in the future. Readers can send one question plus their first name and country to cethomson@live.co.uk. Put your email subject as 'BLOG INTERVIEW'. I will answer the first ten questions I receive in another blog entry in the near future.

Gene Simmons In Bonkers Jackson Rant

It seems that the lead in Gene Simmons' make-up has gone to his brain.

In a bizarre rant during a Classic Rock interview, Simmons accused Michael Jackson of child molestation, citing several completely fictitious pieces of evidence.

The aging glam-rock star claimed that he knew a musician who quit a Michael Jackson tour because of 'what he saw' on the road. I am frequently paid as a Jackson expert and I can state with certainty that I am unaware of any musician ever quitting a Michael Jackson tour mid-way through. In fact, Jackson used the same musicians every time he toured, with minor alterations on a tour by tour basis, but never mid-way through.

Elsewhere, Simmons claimed that Michael Jackson was on tape ordering 'Jesus Juice' for children. This is a fiction.

It was alleged during Jackson's trial that he served alcohol to the Gavin Arvizo and his siblings, but they each gave contradictory accounts of the incident. Staff accused by the children of serving them booze all denied having ever done so, but did reveal that the children had been caught stealing alcohol behind Jackson's back.

No audio tape of Jackson ordering alcohol for children was ever brought forward and the star was acquitted on multiple counts of serving alcohol to a minor. Simmons' claim that Jackson was on tape ordering alcohol for children is pure fantasy.

By far, Simmons' most outrageous claim was that during Jackson's trial a travel agent testified that the star had hired them to fly to Brazil and fetch young boys for him. This allegation is a total figment of Gene Simmons' imagination. No such testimony ever occurred during Jackson's trial.

Growing up, I was always taught that if you don't know what you're talking about, you shouldn't say anything. Evidently Gene's parents didn't instill in him the same belief. That, or he's just going senile.

It is completely irresponsible to pass comment on a criminal investigation that you know nothing about and even more irresponsible to make a criminal accusation and then support it with non-existent evidence. Simmons has heard fragments of reported speech from Jackson's trial and then assigned them entirely new meaning as the years have passed, building up an arsenal of evidence against Jackson which never actually existed.

However, the blame doesn't lie solely at Simmons' door. Classic Rock should do their research before regurgitating such drivel. Yes, it is reported speech, but it is still irresponsible for any publication to perpetuate baseless myths which indicate that an innocent man is a paedophile.

Thanks to Google News, this story has now gone global. All over the world people are reading it and many will believe Simmons' comments, partially because he's in the music business and there is an element of presumed insider knowledge, but mostly because the initial reporting on Jackson's trial was so inept.

Simmons' comments have no basis in reality. Jackson is categorically not on tape ordering children alcohol. There was categorically not any testimony at his trial about flying boys in from Brazil. These two allegations are without any evidencial basis whatsoever, and for Simmons to state them as fact is despicable.

In future, Simmons should either do his research or shut his trap. His irresponsible and unfounded allegations have now entered the homes of millions around the globe and you can bet your bottom dollar that nobody is going to print a rebuttal or a retraction.

How the Godfather of Soul won me a Guardian Award

Charles Thomson, award winning writer. That's how I shall be billing myself from now on.

On Wednesday evening I received a prestigious Guardian Award for my work on the late, great Godfather of Soul, James Brown.

The Guardian ceremony is the biggest and the most respected awards bash for young journalists in Britain. I was nominated back in September for 'Feature Writer of the Year'. The ceremony took place on Wednesday evening at the Proud Gallery in Camden.

At first I was disheartened. The runner up in my category was announced - it wasn't me. The winner was announced - that wasn't me either. 'That's it', I thought. 'I lost.'

But then something unexpected happened. Colin Murray, our host for the evening, announced that this year the judges had changed the format of the feature writing category. There was one particular article that the judges felt needed to be recognised, he continued. The room was abuzz with chatter. Over the noise, I heard Murray say something about James Brown - and almost fell off of my chair.

In what has now become a blur, I was presented with the special commendation award for feature writing. As such, I shall be swanning up to London at some point in the near future for a week of shifts at the Guardian.

It was an honour to receive my first journalistic award for a piece about James Brown. When I was 18 years old and just starting out, James Brown was the first artist who gave me a chance. He allowed me backstage at what would become his final concert on British soil. He let me put a question to him during his pre-show press conference and he put me on his personal guestlist for the concert.




Two months later he died. My question to him in London had been about an album he was working on. As time went by, I began wondering what had happened to it and why it was never released.

So I decided to find out. I tracked down everybody I could who was involved in the recording process; band members, session musicians, studio owners and engineers, backing vocalists, songwriters and managers. What emerged was an insight into the final two years of James Brown's life; the recording, the touring, the ill health and ultimately, his death.

To say that the article was a labour of love would be an understatement. From my first interview - which took place in London with the legendary Fred Wesley - to the article's eventual publication, the process took over a year. My work on the piece during that year was stop-start; sources had to be tracked down and then interviews had to be scheduled. Investigating the final two years of James Brown's life proved an expensive hobby too, what with all the lengthy transatlantic telephone interviews.

I would like to take this opportunity to thank all of those who consented to interview - this is your story and I am privileged that you allowed me to tell it. Thank you to the judges - this article is the most significant that I have written and to have it acknowledged by the Guardian Awards is surreal.

And thank you to Mr Brown, who has book-ended this first chapter in my journalistic career. At 18, just weeks into my journalism degree, Mr Brown became my first high profile interviewee. At 21, the award which drew a line under my academic career was presented to me for an article inspired by that meeting with James Brown.

Me (centre) accepting my award from Guardian writer Hannah Pool and Radio 5 DJ Colin Murray. Photographer: Teri Pengilley

Jackson biographer sheds further doubt on 1993 allegations

Jackson biographer J Randy Taraborrelli has used his Facebook page to comment on the death of Evan Chandler. Here are his comments.

"I actually knew Evan Chandler. I met him several times in the 1990s. I had lots of secret meetings with Evan Chandler, trying to get to the bottom of what was going on. I was pretty young, sort of green and wish I had my present level of expertise to be able to have applied back then. I have stories about that guy that I have never published.

"He was about as inconsistent as they come. He was so determined to get me on his side, I thought he was just a tad scary. If you read my book you sort of get how I felt -- feel -- about him. When [the book] came out he called me screaming at me for not just buying his story 100%. He actually threatened me, and I thought... okay, pal, now I know who you really are."

The writer also says that he hopes and believes he will one day score an interview with Jordan Chandler. Personally, I am skeptical.

I have been shortlisted....

Just a quick note to say that I have been shortlisted by the Guardian Student Media Awards in the Feature Writer of the Year category.

I have been shortlisted for my article 'James Brown: The Lost Album', which can be read on my website.

Winners are announced in November.

I realise that I have been neglecting the blog again. I am currently collaborating with American writer Tony Best on an article about the groundbreaking 1981 music video 'Can You Feel It'.

More on that as it develops.