A few weeks ago I interviewed Bootsy Collins, who had launched a crowd-funding campaign on Kickstarter to pay for his new humanitarian-themed album and tour. Despite being one of the most sampled musicians of all time, Bootsy told me he was one step away from being a starving artist.
Here is an audio excerpt from our chat.
He has since moved his campaign away from Kickstarter, saying that many international fans were reporting problems trying to make payments. He has relocated to IndieGoGo. Rewards available to those who donate to the project include digital album downloads for just $1 andsigned copies of his new album and DVD for just $25. With those rewards at those prices, you'd have to be a loony not to donate at least $1.
Showing posts with label collins. Show all posts
Showing posts with label collins. Show all posts
Sunday, 13 October 2013
Sunday, 29 September 2013
#iGiveAFunk
Last week I had the privilege of interviewing one of my favourite musicians. Bootsy Collins played bass on some of James Brown's funkiest and most dynamic tracks. He then took Mr Brown's philosophy of 'the one' over to George Clinton's Parliament / Funkedelic, where he worked on some of that collective's greatest tunes as well. By the late 70s he had gone solo, recording a raft of classic funk tracks. He has contributed to some of the greatest party anthems and hip-hop tracks of all time. His live shows are some of the most dynamic and exciting you could ever hope to attend.
Right now, Bootsy is running a Kickstarter campaign, where he is giving away signed merchandise and rare memorabelia to anybody who supports his new album and tour - both dubbed 'iGiveAFunk'. The project, inspired by the philanthropic work Bootsy has gained a passion for in recent years - would see him record a 'unity in the community' themed album and then travel the globe delivering its message. The plan was for the Kickstarter to raise $100,000 in 30 days.
Presently, there are three days left of the campaign and Bootsy has raised roughly 30% of his goal. Sadly, it looks unlikely that the project will be successful, short of a miracle. I'm not sure why. Bootsy toured Europe in 2011, playing to packed out venues all across the continent. He has thousands and thousands of fans. As part of his Kickstarter campaign, he is offering a digital pre-order of his new album for just $1. If all of his fans pledged for that alone - and you'd have to be a wally not to, at that price (about 65p in British currency - less than a KitKat bar) - he would meet his target with ease. He seems to have had trouble getting the message out.
I wanted to do the best I could to help him get that message out, so I organised a 40 minute phone interview. During our chat, I expressed my surprise that he needed a Kickstarter campaign in the first place. The comment led to a lengthy discussion about the music industry in general and the way it treats artists. Bootsy told me he was 'one step away from being a starving artist'.
I produced a 2,000 word article based on our conversation, published on my blog at the Yellow Advertiser - one of the largest regional newspapers in the UK. A short news story publicising the online contribution was published in over 100,000 newspapers. How many readers were funk fans, I don't know.
If Bootsy's Kickstarter campaign doesn't prove successful, I hope he will try again but spend a little longer on advance publicity it and give himself a longer fundraising period. I'm sure he has enough fans to help make it happen, just as long as they know about it.
That said, on a personal note, I am a little disappointed that some of Bootsy's more prominent fans haven't made more of an attempt to help him out. Some of today's biggest rappers have built songs around Bootsy's riffs; songs which have helped them become businessmen with globe-spanning, multi-billion dollar operations. Those Bootsy samples they used - he says they just about cover his bills. Snoop Dogg, who used Bootsy on his 2004 album Rhythm & Gangster, is worth a reported $100million. He could probably sponsor Bootsy's entire project without spending more than a few weeks' interest on his bank account.
Below is a 16 minute audio excerpt from our conversation.
Good luck Bootsy. I've already pledged all that I can. I hope you pull it out of the bag somehow. When you eventually do - I'll see you in London!
Click to enlarge.
Bootsy Collins on stage in London, 2011.
(Picture: Charles Thomson)
Bootsy Collins on stage in London, 2011.
(Picture: Charles Thomson)
Right now, Bootsy is running a Kickstarter campaign, where he is giving away signed merchandise and rare memorabelia to anybody who supports his new album and tour - both dubbed 'iGiveAFunk'. The project, inspired by the philanthropic work Bootsy has gained a passion for in recent years - would see him record a 'unity in the community' themed album and then travel the globe delivering its message. The plan was for the Kickstarter to raise $100,000 in 30 days.
Presently, there are three days left of the campaign and Bootsy has raised roughly 30% of his goal. Sadly, it looks unlikely that the project will be successful, short of a miracle. I'm not sure why. Bootsy toured Europe in 2011, playing to packed out venues all across the continent. He has thousands and thousands of fans. As part of his Kickstarter campaign, he is offering a digital pre-order of his new album for just $1. If all of his fans pledged for that alone - and you'd have to be a wally not to, at that price (about 65p in British currency - less than a KitKat bar) - he would meet his target with ease. He seems to have had trouble getting the message out.
I wanted to do the best I could to help him get that message out, so I organised a 40 minute phone interview. During our chat, I expressed my surprise that he needed a Kickstarter campaign in the first place. The comment led to a lengthy discussion about the music industry in general and the way it treats artists. Bootsy told me he was 'one step away from being a starving artist'.
I produced a 2,000 word article based on our conversation, published on my blog at the Yellow Advertiser - one of the largest regional newspapers in the UK. A short news story publicising the online contribution was published in over 100,000 newspapers. How many readers were funk fans, I don't know.
Click to enlarge.
Bootsy Collins on stage in London, 2011.
(Picture: Charles Thomson)
Bootsy Collins on stage in London, 2011.
(Picture: Charles Thomson)
If Bootsy's Kickstarter campaign doesn't prove successful, I hope he will try again but spend a little longer on advance publicity it and give himself a longer fundraising period. I'm sure he has enough fans to help make it happen, just as long as they know about it.
That said, on a personal note, I am a little disappointed that some of Bootsy's more prominent fans haven't made more of an attempt to help him out. Some of today's biggest rappers have built songs around Bootsy's riffs; songs which have helped them become businessmen with globe-spanning, multi-billion dollar operations. Those Bootsy samples they used - he says they just about cover his bills. Snoop Dogg, who used Bootsy on his 2004 album Rhythm & Gangster, is worth a reported $100million. He could probably sponsor Bootsy's entire project without spending more than a few weeks' interest on his bank account.
Below is a 16 minute audio excerpt from our conversation.
Good luck Bootsy. I've already pledged all that I can. I hope you pull it out of the bag somehow. When you eventually do - I'll see you in London!
Saturday, 17 September 2011
Catching Up
Apologies for the lack of updates recently. There has been a lot going on.
Gigs...
...vacation...
...politics...
...weddings...
...and more. But there will be updates to this blog very shortly, so keep your eyes peeled.
Gigs...
George Clinton + the P-Funk All Stars live at the HMV Forum.
(NB. All pictures in this blog can be enlarged by clicking on them)
(NB. All pictures in this blog can be enlarged by clicking on them)
Bootsy Collins live at the Indigo2.
...vacation...
...politics...
...weddings...
...and more. But there will be updates to this blog very shortly, so keep your eyes peeled.
Saturday, 28 August 2010
R.I.P Phelps 'Catfish' Collins
R.I.P Phelps 'Catfish' Collins, 1944-2010(Photo: Flickriver)
I learned today from my friend Tony Wilson that Phelps Collins, the legendary James Brown and P-Funk guitarist, passed away earlier this month.
Phelps, best known as Catfish, passed away on August 6th after a battle with cancer. His death came while I was on vacation in Cyprus with scant internet access and so passed me by. It was with great sadness that I learned today, several weeks later, of his death.
Catfish Collins is a legend in the world of funk music. His stint playing guitar for James Brown was short but prolific. Alongside his brother, bassist Bootsy Collins, Catfish worked with Brown for only 11 months between 1970-1971. However, during that time he played many of the most famous funk guitar riffs of all time, working on tracks such as Sex Machine, Super Bad, Soul Power and Talkin' Loud and Sayin' Nothin'.
L to R: Bootsy Collins, James Brown and Catfish Collins live in 1971.(Photos: Getty)
In 1972 Catfish joined George Clinton's group Funkadelic where he recorded even more funk classics, including numerous credits on the album America Eats Its Young and, perhaps most famously, playing the infectious guitar riff on timeless party anthem Flashlight.
Stints in brother Bootsy's 'Rubber Band' aside, Catfish largely avoided the spotlight in later years.
I met Catfish briefly at London's Cumberland Hotel in 2008 while he was on a rare tour with his brother, paying tribute to the late, great Godfather of Soul. While waiting for an interview with Bootsy that never materialised - a long story for another time - I chatted to Catfish about life on the road. He complained that he'd never really enjoyed touring and was sick of living out of a suitcase. This would be his last tour, he said.My friend Ron Roelofsen, a James Brown archivist, met Catfish at another stop on the same tour and had much the same conversation. "I had the honour to meet [Catfish] in person in 2008 during the JB tribute tour in Holland and Belgium," Ron wrote on his website after hearing the sad news. "A very nice and also funny guy. I never forgot his answer to my question, 'What have you been doing for the last 30 years?' Catfish: 'Fishing'. 'And is there a chance that you will be making some new music again after this tour?' 'No, I go back fishing.'"
In losing Catfish we have lost one of the architects of funk music. Despite the brevity of his time with James Brown and Funkadelic, he leaves behind a tremendous legacy. James Brown is famously the most sampled artist of all time, but little credit is given to the musicians playing in those samples. Catfish is one of the most (if not the most) sampled guitarists in the history of recorded music. Long may his music live on.
Bootsy Collins is hosting a tribute concert for his brother on September 4th at the Madison Theater in Covington, Kentucky. For details and tickets, click here.
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