Back in May, perhaps against my better judgement, I waded into the debate about posthumous Michael Jackson album Xscape. Sick and tired of watching opposing fans having endless arguments on Twitter, many of which I found myself tagged in, I decided to set out my stall at the Huffington Post.
But rather than posting my own opinion on the album, I opted to explore what Michael Jackson's opinion would likely have been. Drawing from Michael Jackson's own words - in interviews and in his written works - I explored his publicly-stated views on all of the key issues; the remixing of his music, the release of unfinished music and his feelings about Sony.
This was not my polemic, but Michael Jackson's; they're remixing Michael's music, but here's Michael stating on the record that he didn't like people doing that; they're releasing it on Sony, but here's Michael saying he hated Sony; they're releasing half-finished demos, but here's Michael saying he'd never release anything unless it was totally finished and 'perfect'. Every point is illustrated by a direct quote from the man himself.
As you might imagine, some fans still took great issue with the article, claiming - variously - that I had fabricated Michael Jackson's words, that I had twisted his words, that he wouldn't have cared as long as the album made money, that he was too stupid to state his actual opinions and must have got them wrong, and a number of other arguments.
A few weeks ago I interviewed Bootsy Collins, who had launched a crowd-funding campaign on Kickstarter to pay for his new humanitarian-themed album and tour. Despite being one of the most sampled musicians of all time, Bootsy told me he was one step away from being a starving artist.
Here is an audio excerpt from our chat.
He has since moved his campaign away from Kickstarter, saying that many international fans were reporting problems trying to make payments. He has relocated to IndieGoGo. Rewards available to those who donate to the project include digital album downloads for just $1 andsigned copies of his new album and DVD for just $25. With those rewards at those prices, you'd have to be a loony not to donate at least $1.
Last week I had the privilege of interviewing one of my favourite musicians. Bootsy Collins played bass on some of James Brown's funkiest and most dynamic tracks. He then took Mr Brown's philosophy of 'the one' over to George Clinton's Parliament / Funkedelic, where he worked on some of that collective's greatest tunes as well. By the late 70s he had gone solo, recording a raft of classic funk tracks. He has contributed to some of the greatest party anthems and hip-hop tracks of all time. His live shows are some of the most dynamic and exciting you could ever hope to attend.
Click to enlarge. Bootsy Collins on stage in London, 2011. (Picture: Charles Thomson)
Right now, Bootsy is running a Kickstarter campaign, where he is giving away signed merchandise and rare memorabelia to anybody who supports his new album and tour - both dubbed 'iGiveAFunk'. The project, inspired by the philanthropic work Bootsy has gained a passion for in recent years - would see him record a 'unity in the community' themed album and then travel the globe delivering its message. The plan was for the Kickstarter to raise $100,000 in 30 days.
Presently, there are three days left of the campaign and Bootsy has raised roughly 30% of his goal. Sadly, it looks unlikely that the project will be successful, short of a miracle. I'm not sure why. Bootsy toured Europe in 2011, playing to packed out venues all across the continent. He has thousands and thousands of fans. As part of his Kickstarter campaign, he is offering a digital pre-order of his new album for just $1. If all of his fans pledged for that alone - and you'd have to be a wally not to, at that price (about 65p in British currency - less than a KitKat bar) - he would meet his target with ease. He seems to have had trouble getting the message out.
I wanted to do the best I could to help him get that message out, so I organised a 40 minute phone interview. During our chat, I expressed my surprise that he needed a Kickstarter campaign in the first place. The comment led to a lengthy discussion about the music industry in general and the way it treats artists. Bootsy told me he was 'one step away from being a starving artist'.
I produced a 2,000 word article based on our conversation, published on my blog at the Yellow Advertiser - one of the largest regional newspapers in the UK. A short news story publicising the online contribution was published in over 100,000 newspapers. How many readers were funk fans, I don't know.
Click to enlarge. Bootsy Collins on stage in London, 2011. (Picture: Charles Thomson)
If Bootsy's Kickstarter campaign doesn't prove successful, I hope he will try again but spend a little longer on advance publicity it and give himself a longer fundraising period. I'm sure he has enough fans to help make it happen, just as long as they know about it.
That said, on a personal note, I am a little disappointed that some of Bootsy's more prominent fans haven't made more of an attempt to help him out. Some of today's biggest rappers have built songs around Bootsy's riffs; songs which have helped them become businessmen with globe-spanning, multi-billion dollar operations. Those Bootsy samples they used - he says they just about cover his bills. Snoop Dogg, who used Bootsy on his 2004 album Rhythm & Gangster, is worth a reported $100million. He could probably sponsor Bootsy's entire project without spending more than a few weeks' interest on his bank account.
My latest in-depth feature, 'The Big Payback', explored a variety of humanitarian initiatives inspired by Godfather of Soul James Brown. Published by the Orchard Times, it saw me interview Mr Brown's friends and family about the various charitable ventures staged every year in his memory, all run by his children without any financial assistance from his estate.
Also among my interviewees were some of the teens from Augusta, Georgia, who have benefited from the Brown dynasty's latest venture; the James Brown Academy of Musik Pupils (JAMP). The school was set up to teach young people how to play instruments and help them secure college scholarships. Since its launch just over a year ago, it has already helped one Augusta teen secure a scholarship.
The JAMP students have put their talents to good use by forming a band - the JAMP Masters - which plays at charity and community functions. After a VIP invitation to perform and sit in the front row at one of Prince's concerts in Chicago last year, the youngsters have been into the studio to record their first album.
I was honoured and delighted to receive a parcel this morning containing a copy of that album. Many of the young band members had signed the CD as a 'thank you' for my article, which curriculum leader Kimberly Baxter-Lee said she showed to them shortly after it was published.
(Click to enlarge)
The collection, which comprises 10 James Brown and JBs covers, is impressively tight given the age of the performers and the short time they've been together. With the assistance of former James Brown guitarist Keith Jenkins, they have achieved the 'dry, funky sound' that the Godfather of Soul was always so keen to capture.
Keith's input is also felt in the arrangements, which are in some cases closer to Mr Brown's latter day live performances than the original studio recordings. 'Get Up Offa That Thing' and 'I Got You (I Feel Good)' are particular highlights. The youngsters play so well that you wish the songs would just go on and on.
All proceeds from the album will be spent on the continued running of the academy. Mr Brown's daughter Deanna tells me that a second volume is already on the horizon.
I want to say a big thank you to the JAMP Masters for this CD. It will take pride of place alongside albums signed by the likes of George Clinton, Martha Reeves, Pee Wee Ellis and Fred Wesley - and it means every bit as much as the others.
Charles Thomson is a multi-award winning court reporter, feature writer and investigative journalist.
His stories have appeared in the Sun, the Mirror, the Daily Star, the Guardian, MOJO, Wax Poetics, Orchard Times, the Huffington Post and various other publications.
For more, visit http://www.charles-thomson.net
