Thursday, 8 March 2012

Meeting Michael Barrymore

On Monday I was dispatched to interview Michael Barrymore, who was in town to record a guest slot for the local radio station. The station owners had told me Barrymore had agreed to be interviewed, but on the condition that his past not be discussed.

For international readers: Michael Barrymore, throughout the 1990s, was probably the biggest television star in the UK. Dubbed 'Mr Saturday Night', he hosted everything from variety showcases to game shows to kids' TV. Then, in 2001, a man called Stuart Lubbock was found dead in Barrymore's swimming pool after a party. He had drugs in his system and the coroner later found extensive anal injuries, although there is some question as to how and when those were sustained.

DNA ruled Barrymore out of the assault but the scandal ruined his career. He has spent more than ten years now trying to put the incident behind him. In 2006 he almost mounted a successful comeback by appearing on Celebrity Big Brother. The public seemed to embrace him - he came second on public votes - but while many of the viewers at home were willing to let go of the past, the media wasn't. Everywhere Barrymore goes, he is followed by unpleasant tabloid innuendo - something most broadcasters are unwilling to associate themselves with.

What happened to Stuart Lubbock will probably never be known and opinion on Barrymore will forever be divided by the incident. Some people believe he is holding back information, protecting somebody - but I didn't walk into the interview hoping to interrogate him about it. Many have tried and they've all failed to produce the career-making smoking gun they're looking for. If anything, the more people probe the incident, the more questions seem to arise - so grilling him about his past would probably have been somewhat of a wild goose chase.

I was interested in Barrymore's life now. Is he following the Leveson inquiry? What does he make of it? Does he feel his treatment has been symptomatic of the widespread media misbehaviour which is now being uncovered on a weekly basis? How do people react to him now? How does he deal with people's hostility? These were just some of the questions I'd have liked to put to him.

Alas, when I arrived at the radio studio, Barrymore denied having ever agreed to give me an interview in the first place - something I never quite got to the bottom of - but he did agree to let me sit in on the radio recording.

Halfway through the show, during a music break, he invited me to sit next to him. Then, once recording resumed, he began grilling me about my job. He made a running joke about having turned the tables to interview me. Our interaction dominated the second half of the show.

My take on the encounter has been published in my regional newspaper (see below). I will post details on how to tune into the show as I find them out. It'll be interesting to see how much they have to cut out. I have an unedited copy and it's a great listen.





Michael Barrymore looks suspiciously at our photographer. Picture: Mark Cleveland, Yellow Advertiser

Sunday, 26 February 2012

Jermaine Jackson Outtake

Since it was taken over by AOL, the Huffington Post has introduced a fairly restrictive word limit on blog entries, asking posters to cap them at an absolute maximum of 1,200 words. Under the current editorial policy, my piece on the Michael Jackson trial would never have been published by the website. It was also the reason I had to post an uncut version of my Troy Davis piece on my website.

With this word count in mind, I had to cut my interview with Jermaine Jackson into small chunks, which told an overall narrative but at the same time were self-contained and somewhat themed. The first, about the controversy surrounding his book and how it came to be published, was published in October. The second installment focused on he and his brothers' childhood experiences. That fairly uncontroversial segment is the one which was rejected without any explanation.

When I re-worked the piece for the Orchard Times, having those self-contained chunks was no longer a necessity and discussion of Jermaine's childhood would have been a diversion from the overall narrative. As such, the whole segment got dropped.

Rather than leaving it unpublished, I thought I'd stick up here on the blog for you all.



Through A Brother's Eyes: Jermaine Jackson Speaks - Part Two

Michael Jackson's solo career was so eclipsing that it's easy to forget the enormity of the Jackson 5's success. The first group ever to have their first four records go to number one, they sparked hysteria almost everywhere they went. Almost everywhere.

Concerts in Southern states were picketed by the KKK. Jermaine tells me about the trauma of, "checking into a hotel and they're telling you 'you don't have reservations here' and we know we have them. Then when they give us our rooms, they [are] way in the back facing the alley where all the trash was." Stories like this serve as a reminder that the Jackson 5 started out, as Jermaine puts it, as "five black guys from Gary, Indiana" - a fact overlooked by some generations who have simply never known a world in which the Jacksons weren't famous.

In fact, the Jacksons' story is one of the greatest rags-to-riches tales ever told. The family rose from a borderline poverty-stricken background - two parents and nine children living in a two-bedroom house on a crane operator's wage - to become the most famous family in America, challenging stereotypes and breaking barriers along the way.

In his book, Jermaine downplays their money woes. They weren't poor, he says, but they weren't privileged. He writes: "The best way of describing our situation was: not enough money to buy anything new, but somehow we scraped by and survived."

The group's rise to prominence is well-documented but Jermaine's descriptions of life at Motown have raised eyebrows among some fans, who believe he has sugar-coated the brothers' childhood, contradicting many of Michael's own recollections.

For example, Jermaine writes of their after-school work schedule at Motown: "[We went] to the studio for around 5.30pm, and sometimes stayed there till 10.30pm. Some people say this sounds exhausting but we were too excited to notice because we loved being at work."

This doesn't quite tally with Michael's own version of events. In 1993 he told Oprah Winfrey, "I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead."

When I put this to Jermaine he mentions a scene early in the book where he and Michael are stood at the window at Christmas, watching the local children play outside with their new toys, unable to share in their joy because of their Jehovah's Witness upbringing.

"I think that scene shows that same sadness," he says. "But I think the sadness was also balanced with our shared thrill of performing. I remember this time at the Apollo when we were in the dressing room looking down on the basketball courts, desperate to play. But we were born to entertain. Michael lost four more years of his childhood than I did, so I understand why he felt more strongly about this... Michael was probably the most sensitive out of all of us, so I think he was maybe more vulnerable to the impact of fame."

Fans have also questioned Jermaine's depiction of his father Joe's allegedly heavy-handed discipline, which Michael claimed left him so traumatised that he would vomit at his father's mere presence. Claiming that Joe's behaviour was both normal and necessary at the time, particularly because he was desperate not to see his children swept up in Gary's gang culture, Jermaine suggests that Michael's recollections may have been 'exaggerated' because he witnessed his siblings' punishments at a young age, hearing their 'screams' and seeing 'belt buckle imprints on bare skin at bed time'.

"This made him fear something long before he felt it," he writes. "In his mind the mere thought of Joseph's discipline was traumatic. That is what exaggerated fear does: it builds something in the mind to a scale that, perhaps, it is not."

But Michael often recalled being personally beaten and whipped by his father. In one 2001 interview with Rabbi Shmuley Boteach, broadcast on NBC after his death, he recalled his father using extreme violence towards him and his siblings. "He would make you strip nude first," he told Boteach. "He would oil you down. It would be a whole ritual. He would oil you down so when the flip of the ironing cord hit you, you know... You had whips all over your face, your back, everywhere."

Jermaine tells me he does not share this particular recollection. He's quick to point out, though, that this doesn't mean it wasn't true. It was 'clearly Michael's emotional truth and recollection' - but just not one shared by Jermaine.

"Whatever people want to label it - beatings, whippings, spankings - it was not abuse," Jermaine tells me. "I was there. I shared the same discipline at the hands of Joseph and I have never considered myself 'abused'... In the book, I try to place Joseph's discipline and Michael's forgiveness of Joseph into a context no-one has written about before."

Still, Joe Jackson does not emerge from this book bathed in holy light. While he's portrayed more sympathetically than is common in Jackson biographies, Jermaine's recollections still detail what many would consider inappropriate discipline. Despite earlier attributing his father's brutal discipline to a fear that his children would be tempted to join local gangs, Jermaine reveals that even after the group had achieved global success and moved to California, rehearsals were still "administered under the threat of a beating."

One of Jermaine's more shocking claims is that Joe Jackson tricked a teenaged Michael into leaving Motown and signing a contract with CBS Records by pretending he'd get to have dinner with Fred Astaire as a reward. Then, he writes, Joe used that signature to try to convince Jermaine - at that time married to Motown boss Berry Gordy's daughter - to jump ship as well.

I ask Jermaine how his father has reacted to such revelations but, as far as he is aware, Joe has not yet read the book.

In 1975 Michael, Marlon, Jackie and Tito signed contracts with CBS and hopped labels with brother Randy filling Jermaine's spot. Jermaine remained loyal to his father-in-law and stayed at Motown. "There was a suggestion for years that I broke up the group by leaving," he writes, "but I've never viewed it that way. I did not leave them: they left me."

The split drove a wedge between Jermaine and the family. Joe wouldn't take his calls and the brothers were now often away on tour without him. Jermaine, used to his brothers' constant presence, found the separation almost impossible to bear. But, he says with hindsight, the distance between them would prove trivial compared to the chasm that later opened between Michael and his family. In a few years, he says, Michael would become surrounded by shady figures who assumed control of his affairs, screened his calls and locked his family out of his property. That was when everything started to go really wrong…

Sunday, 19 February 2012

Final Jermaine Extract & Roundtable Discussion

Before posting the fifth and final audio extract from my Jermaine Jackson interview, just a quick note to let you know that I recently took part in a roundtable discussion about Michael Jackson as a songwriter.

I was invited to take part in the discussion by Joe Vogel, author of the magnificent book 'Man In The Music: The Creative Life and Work of Michael Jackson'. You can read the discussion here. I'm told there may be a second round of discussion in the coming weeks.

In this brief, final excerpt from my interview with Jermaine Jackson, he tells me about his hopes for a Jacksons reunion tour. Don't forget to read the full interview here.

As always, watch the blog, my twitter page and my facebook page for more updates.


Saturday, 18 February 2012

Fourth Jermaine Jackson Audio Extract

In this clip, Jermaine tells me about chapter 22 of his book, in which he details the eyewitness accounts of five people he interviewed who were inside rehearsals for the 'This Is It' concerts.


Friday, 17 February 2012

Third Jermaine Jackson Audio Extract

In this extract, Jermaine speaks to me about racism in the music industry, and what role he believes music publishing played in his brother's demise:


Second Jermaine Jackson Audio Extract

In this second audio extract, Jermaine speaks to me about how delays in the Conrad Murray trial left him feeling that the justice system didn't care about his brother's death.


Wednesday, 15 February 2012

Jermaine Jackson: Audio Extracts

I will be posting a few audio extracts from my interview with Jermaine Jackson over the coming days. Some will be of segments which were included in the final article, some will be outtakes which had to be cut to keep the word limit down.

I will post blog updates each time a new clip is uploaded. I will also alert readers via my Twitter page and my Facebook page.

Here is the first clip, in which Jermaine discusses media manipulation, the famous 'pyjama day' during his brother's 2005 trial, what Michael would think of his children's increasingly public profile and Jermaine's thoughts on the controversial Cardiff tribute concert.